Archive | October, 2010

B3 Week in Review

30 Oct

Monday: In our review, we peg a dodgy translation and some scattered editing with weighing down the French thriller The Beast of the Camargue.

Tuesday: A well rounded gaggle of news was featured in BIR, followed by a series of four new book releases that caught the eye of the team.

Wednesday: What happens if Gossip Girl and Ghost Whisperer collided in book form? You’d get Three Quarters Dead, reviewed by the team on Wednesday.

Thursday: A really interesting series of news nuggets from around the book world were assembled for BIR. We also went way back to profile one of the earliest Gothic fiction works, Vathek.

Friday: With Halloween two days away, we tried a different kind of book review, this one a novelization of The Omen, an epically scary horror flick.

Next Week: We review Simon Winchester’s newest work, Atlantic, followed by reviews of The Mermaid’s Pendant and Dennis Lehane’s most recent book, Moonlight Mile. We’re also rolling out two more BIRs, a fresh batch of JaknJill books; as well as an Author 411 on LeAnn Neal Reilly.

Biblioholic Review: The Omen

29 Oct

Back in 1976, as the wave of apocolyptic fervor struck movie goers and readers throughout America, some creative folks decided to conjur a tale of a young Anti-Christ. They came up with The Omen.

In swift and smart bit of marketing David Seltzer’s The Omen was in effect a serialization of the 1976 movie. As it was released before the major theatrical release, it followed the screenplay very closely, while adding layers and different details not seen in the film.

The Omen follows the birth of the Anti-Christ and his clandestine placement into the bossom of a rising American political family, the Thornes. Photogenic, rich and powerful Jeremy and Katherine Thorne find happiness with their well behaved, but oddly growing young son.

We know who he is, no spoilers here, Damian is the Anti-Christ and you wait and watch he and his minions rise to power. Their goal, corruption and defilement of humanity.

Like the movie, The Omen has those odd and prophetic deaths, with some punchy grotesque images. No long exposition, just brief gross moments which vividly portray this abomination on Earth.

One of the B3 crew cannot watch or read religio-horror, finding it deeply disturbing and yes, horrific. God versus the Devil, Satan manipulating man, the profound, millenia spanning evils is enough Judeo-Christian back story to make any story too much to take.

This is a minimalist book, a pre-adaption of a screenplay, so do not expect deep emotional exploration of Thorn, his wife or even the legion of Satanists dancing in the shadows. The Omen was written to pave the way for one of moviedoms scariest movies, so you know that even if it matches the script word for word, it’s one hell of a scary story.

Simple. Straight forward. Creepy.

The Omen by David Seltzer was purchased for review by the Boston Book Bums

Orientalist Gothic Horror

28 Oct

Today the popular horror genre has been defanged by hunky vampires, fallen bad boy angels and often gender offensive gore fiction. They walk around in leather, sulk and do little biting, killing or mayhem making. Never the less, the horror genre is alive in well, kept there by some stalwarts of the industry. Sure horror may not be everyone’s cup of literary tea, but it is a valuable and antique part of the fiction pantheon.

We all know about the legends King, Lovecraft, Stoker, Shelley and Poe. Yet as we hurdle towards All Hallows Eve, we wanted to illuminate readers to an old work of horror, considered one of the earliest examples of Gothic fiction- Vathek.

As Orientalism captured European imaginations, ways to render in print the grandeur and mysteries of the East, even if they were more often than not wrong, ill informed or bigoted and based on creative reinterpretations of regional myths, become solidified in works like 1001 Nights. However, in the late 18th century, a work was translated from French(reportedly from Arabic) to English would set a standard for Gothic fiction and serve as inspiration for generations to come.

Vathek is a fictionalized version of a 9th century Abbasid Caliph, who renounces his faith in a bid to gain supernatural powers. The story starts with the ruthless leader buying some engraved swords from a strange merchant. Unable to translate them after the seller disappears, he finds one man who can translate them.

Yet the next day, the inscription changes. Maddened by this, Vathek finds himself propelled in one strange direction after another. Encountering the old merchant once again, but hounded by unquenchable thirst, murderous mandates and haunted by strange demons, Vathek is caught up in a  unyielding chaos that pits him against the largest forces of evil known to man, Iblis or Shaytan, the devil.

H.P. Lovecraft wrote (with some language unacceptable to modern readers) of Beckford’s Vathek, “Beckford, well read in Eastern romance, caught the atmosphere with unusual receptivity; and in his fantastic volume reflected very potently the haughty luxury, sly disillusion, bland cruelty, urbane treachery, and shadowy spectral horror of the Saracen spirit. His seasoning of the ridiculous seldom mars the force of his sinister theme, and the tale marches onward with a phantasmagoric pomp in which the laughter is that of skeletons feasting under arabesque domes.

Western readers today, especially those in North American, are comfortable with Euro-centric retellings of folktales or derivatives of Greco-Roman mythology in fiction. Yet some of the earliest fantasy and even horror used what we know today as the Middle East as its stage of honor.

So while Vathek is not nearly as well known as Shelley’s Frankenstein’s Monster, it deserves to be right there at the top of Gothic Fiction.

Bookish Intelligence Report

28 Oct

Biblioholic Review: Three Quarters Dead

27 Oct

Richard Peck says “I read because one life is not enough.”  In his latest young adult novel, Three Quarters Dead, it seems that one life is not quite enough for some teenagers.

Peck introduces us to Kerry, a sophomore who is new to high school and desperately lonely.  That is until the three coolest girls in school invite her to sit at their end of the lunch table.  Tanya is the charismatic and extremely well-organized leader of the group, Natalie is the beauty with her Liz Taylor looks and Makenzie is the British doll with her petite stature and wild curls.

Kerry is falling over herself to be part of the group and her actions would prompt any parent to say “If they jumped off a bridge, would you too?”  Kerry would undeniably say “YES.”  That is to say that Kerry will ignore her own conscience to do anything to please Tanya.  Kerry is aware enough to know that she not thinking for herself but also desperate enough not to care.

It doesn’t matter because by Halloween is she is one of them, that is until a day in April changes everything.  Kerry will do anything to be part of the group again.  When she receives a strange text message six weeks later, it seems that Kerry can join Tanya, Natalie and Makenzie and stop being so lonely.

In a world of mash-ups, Peck takes a little Gossip Girl and a little Ghost Whisper to tell tale of popularity and peer pressure that makes Mean Girls seem tame.  His stylized writing makes a fast-paced book that can keep up with the texting crowd even if his characters are a little too cool for school to be likable.

Peck aims his story for your average 12 year old girl and hits the target perfectly.

Peck himself declares that , “In all my novels, you have to declare your independence from your peers before you can take that first real step toward yourself.” Three Quarters Dead is no exception.

Three Quarters Dead by Richard Peck was received for free by the Boston Book Bums

Jill n Jack’s Book Previews

26 Oct

Dangerous to Know by Tasha Alexander: A little mystery, a little history, all taking place in the French countryside, this sounds like a good curl-up and read on a cool Saturday afternoon novel.

First Family: Abigail and John Adams by Joseph Ellis: We  have a pop culture fascination with John and Abigail Adams, just like everyone else glued to their seat watching HBO’s John Adams.  The fascination only increased after spending time at the Adams homestead in Quincy, MA this summer. We’re looking forward to learning more about this couple.

Life by Keith Richards: Yeah we know this is going to be ALL over the place this week, but after seeing Keith on Sunday Morning, we were suddenly intrigued by his life story that we thought we knew. A gentleman farmer in Connecticut? Who knew.

The Hammersteins by Oscar Andrew Hammerstein: You know their tunes. Now get to the know Broadway’s most famous musical family. A dynasty in grease paint and footlights.

Bookish Intelligence Report

26 Oct

  • A round-up of the International Authors Festival in Canada (via The Star)
  • In Turkey, a secular nation, a publisher’s choosing a book with erotic content will land him in court (via  Hurriyet)
  • A controversial book is vanishing from shelves in Mumbai (via Mumbai Mirror)
  • According to the Hartford Courant, e-books will lower the quality of books (via Hartford Courant)
  • When historical epic author Bernard Cornwell travels to Rio, he is a rock star (via Guardian)
  • Seattle Times reviews a book focusing on a 19th century serial killer (via Seattle Times)

Biblioholic Review: The Beast of the Camargue

25 Oct

Commandant Michel de Palma is your prototypical tough detective.  He is aware of his mortality as star detective for the Marseilles crime squad, but is practically fearless when facing potentially deadly situation. This creates an interesting lead for Xavier Marie Bonnot’s The Beast of the Camargue.

De Palma is called by the wife of a German expat to investigate her husband’s disappearance, who the affluent betrothed believes is murdered not vanished on a flight of fancy. However, the industrialists disappearance is not what makes the book jacket blurb even though its the primary thrust of the first few chapters. A mutilated body at the feet of a mythic Provencal monster is what catches readers.

Of course, the missing German, mutilated body and mythic beast all tie back in, but they do so in a way that is clunky and apparently no fault of Bonnot, possibly the translator.

The Beast of the Camargue falters because of some stilted and clunky translation. With the rise of the Scandinavian policiers and Spanish thrillers, translations of the non-literature type have increased in quality. However, with The Beast, the translation creates some extremely awkward sentences and phrases that make little sense outside their native tongue. It is enough to degrade the over all quality of the book.

Bonnot wrestles post-Occupation French life, financial intrigues and even some slight of hand occult elements to give some false flags to the plot’s direction. The creature which fascinates locals and even the German expat is the Tarasque, a hybrid lion headed dragon, turtle and six legged bear. With its bared fangs and deep integration into local folklore, Bonnot uses the beast for some effective misdirection. Or is it real?

The Beast heavily utilizes French judicial and police acronyms, potentially losing less aware readers to the layers of Gallic law enforcement. The action, when it does rise, is a little awkward but interesting. Gun play out of the hands of U.S. writers can come across as odd and disconnected from the flow of action.

The Beast of the Camargue is an intriguing thriller, striving for a Provencal Hound of the Baskervilles, but falls short due to an unfortunate translation and clunky plot assemblage.

The Beast of the Camargue by Xavier Marie Bonnot was purchased for review by the Boston Book Bums

B3 Week in Review

23 Oct

Monday: What happens when you put a group of marauding vampires on the Eastern Front of the Napoleonic Wars? You get Jasper Kent’s Twelve, which we reviewed on Monday.

Tuesday: Of course, we rounded up a bunch of odd and international bookish news for BIR. We also gathered four books for Jack and Jill too.

Wednesday: While the subject may scare some off, C.J. Chivers The Gun just might be the definitive popular history of the AK-47, the prolific and world shaping automatic rifle from the former Soviet Union.

Thursday: The spring 2011 Harvard Press catalog dropped this week and we found a few non-fiction works that piqued our interest. And if its Thursday, then it means another round of BIR.

Friday: Much respected and oft beloved author Michael Cunningham’s newest book, By Nightfall, was reviewed by the B3 team. Check out our thoughts from yesterday.

Biblioholic Review: By Nightfall

22 Oct

Michael Cunningham was scheduled to be a speaker at NEIBA’s author breakfast a couple of weeks ago, and was one of the highlights of the schedule.  Alas, he canceled and although disappointed, we may be the better for it.  First of all, all the other authors, including Cunningham’s replacement were delightful.  Second, the impression of Cunningham in person may have clouded the impression of his words in By Nightfall and these words should remain unadulterated.

By Nightfall is the story of a middle-age man, Peter, a man with a downtown NYC loft, a long marriage, a disdainful daughter, a mediocre art dealer career and a tragic brother-in-law.    Peter has no reason to be unhappy, he has enough money, enough career, enough of a home and enough of a family but he feels unsettled in his 44th year of life, and guilty because in this economy so many have less.

Even though he spends his days with art, he is searching for something beautiful, beyond good, something brilliant.  Peter is haunted by his brother’s death 20 years earlier, and for no discernible reason, finds himself a malcontent.  Finally, from an unexpected source, Peter thinks he may have found the beauty, the genius he has been searching. Is it beauty or something more prosaic?

Cunningham writes a story abundant in emotional wealth, even if most of the plot happens in Peter’s own thoughts and doubts.  There is very little action to be had in By Nightfall but that does not stop the reader from being fully immersed.  Instead, Cunningham plays to his own strengths as a keen observer of human nature and a master of words.

The description of suburbanites out for a night on the town is spot on, slightly pretentious but mostly just honest.  Peter and his yuppie family, friends and neighbors would be tiresome if it was not for a healthy dose of irony.  In a culture where shock value is often mistaken for talent, Cunningham uses talent to expose shock for all of its cheap tricks.

There have been many good books reviewed on BBB, some with exciting plots, or fascinating characters, books to lose yourself in or learn a lesson from but By Nightfall is a book to turn you inward, expose your hidden thoughts and to remind you how beautiful words can be.

By Nightfall by Michael Cunningham was received as a free review copy by the Boston Book Bums

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