The Arrivals is your first novel. What was the process like to get your first book published?
I went through the process the old-fashioned way. I have been a nonfiction writer for a long time, but I had very few real contacts in the book publishing world. When I had completed a manuscript I thought was ready I started querying agents. Some passed. Some showed interest. Some showed interest and then passed! It’s a long process. I found my agent, the fabulous Elisabeth Weed, in a listing of agents for a conference I was planning to attend (Muse & the Marketplace, put on annually by Boston’s Grub St.). I thought she might be a good fit for my work, and I had signed up to meet with her at the conference. I decided to query her ahead of time and she liked my book and took it on, even before the conference happened. We went through about six months of revision on the book before selling it to Reagan Arthur Books in a pre-emptive offer and two-book deal. Elisabeth really pushed me to make the book the best it could be before she submitted it to editors, and I’m so grateful to her for that.
The Arrivals is a look at grandparents/ parents, children/parents and grandchildren/ children all under one roof. What inspired you to look at family in this unusual circumstance?
I think it’s actually not so unusual. I have young children myself, and so do many of my friends. I’m always hearing stories of visits to or from grandparents, or tension among adult siblings as they realize they’re competing for the help/attention of their parents. To be sure, The Arrivals exhibits a bit of an extreme version of that because the Owen siblings end up at their parents’ house for an entire summer, but I wanted to put everyone in a situation where there would be a lot of humor but also some pathos.
It was once common for multiple generations of a family to live under one roof and in this economy, more frequently adult children are returning to their parent’s homes. In your opinion, what are the benefits of this return to multi-generational living? What are the disadvantages?
There does seem to be a fairly recent phenomenon where adult children are retuning home, either with or without their own children in tow. I know a lot of that has to do with an uncertain economy, so it’s great that parents can be a support system for their adult children. However! There might be some people out there saying (or thinking) to their progeny, “Grow up already!” It’s a tricky balance, especially for people who have worked hard for their retirement time and may now find it interrupted.
With the release of your first book, do you have a second book in the works?
I am now working through revisions on my second novel with my editor. It will come out in 2012. Much of it takes place in my town, Newburyport, and it’s about a 13-year-old girl named Natalie Gallagher who finds in her home a diary written by an Irish immigrant, Bridget O’Connell, who was a domestic servant in a doctor’s home in Newburyport in 1925. Natalie unravels Bridget’s story with the help of an archivist named Kathleen Lynch, who is herself dealing with a loss in her life. The title I started with, Solace, will likely change, but one of the main themes of the book is that solace can come from unexpected sources. It’s a darker tale than The Arrivals—touching on social issues like cyberbullying, among other things—but I am, as ever, trying for that balance between humor and pathos.
What are your reading now?
I am reading Started Early, Took My Dog, by one of my very favorite writers, Kate Atkinson. Now there’s a writer who can take dark, dark subject matter and find the humor in it! Waiting for me when I finish that are two of the much-anticipated debuts that just came out: The Bird Sisters by Rebecca Rasmussen and The Kitchen Daughter by Jael McHenry.
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