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B3 Week In Review

11 Jun

Monday: In preparation for our review of Robopocalypse we kick off the week with a look at some historic and overlooked robotic characters from literature. Also, to start the week well informed, we gather news for a Bookish Intelligence Report.

Tuesday: In the tradition of science fiction genre romps like World War Z comes Robopocalypse. We tackle the work by Daniel Wilson that imagines the rise of the machines and mankind’s fight back.

Wednesday: News from around the world is collected to better inform in our regular Bookish Intelligence Report. Also, ahead of tomorrow’s review, we chat with author and former Massachusetts resident Arthur Wooten about his newest work, Birthday Pie.

Thursday: Want to know what we think of Birthday Pie, a book that makes you a fly on the wall of a family in the midst of serious and comedic life issues.

Friday: Always some news happening around the bookish world, and we do our due diligence to collect fresh happenings in a BIR. Also, we want to send you off to weekend gatherings with a new bookish question- What do libraries mean to you?

Author Q&A: Meg Mitchell Moore

25 May

The Arrivals is your first novel.  What was the process like to get your first book published?

I went through the process the old-fashioned way. I have been a nonfiction writer for a long time, but I had very few real contacts in the book publishing world.  When I had completed a manuscript I thought was ready I started querying agents. Some passed. Some showed interest. Some showed interest and then passed! It’s a long process. I found my agent, the fabulous Elisabeth Weed, in a listing of agents for a conference I was planning to attend (Muse & the Marketplace, put on annually by Boston’s Grub St.). I thought she might be a good fit for my work, and I had signed up to meet with her at the conference. I decided to query her ahead of time and she liked my book and took it on, even before the conference happened. We went through about six months of revision on the book before selling it to Reagan Arthur Books in a pre-emptive offer and two-book deal. Elisabeth really pushed me to make the book the best it could be before she submitted it to editors, and I’m so grateful to her for that.

The Arrivals is a look at grandparents/ parents, children/parents and grandchildren/ children all under one roof.  What inspired you to look at family in this unusual circumstance?

I think it’s actually not so unusual. I have young children myself, and so do many of my friends. I’m always hearing stories of visits to or from grandparents, or tension among adult siblings as they realize they’re competing for the help/attention of their parents. To be sure, The Arrivals exhibits a bit of an extreme version of that because the Owen siblings end up at their parents’ house for an entire summer, but I wanted to put everyone in a situation where there would be a lot of humor but also some pathos.

It was once common for multiple generations of a family to live under one roof and in this economy, more frequently adult children are returning to their parent’s homes.  In your opinion, what are the benefits of this return to multi-generational living? What are the disadvantages?

There does seem to be a fairly recent phenomenon where adult children are retuning home, either with or without their own children in tow. I know a lot of that has to do with an uncertain economy, so it’s great that parents can be a support system for their adult children. However!  There might be some people out there saying (or thinking) to their progeny, “Grow up already!” It’s a tricky balance, especially for people who have worked hard for their retirement time and may now find it interrupted.

With the release of your first book, do you have a second book in the works?

I am now working through revisions on my second novel with my editor. It will come out in 2012. Much of it takes place in my town, Newburyport, and it’s about a 13-year-old girl named Natalie Gallagher who finds in her home a diary written by an Irish immigrant, Bridget O’Connell, who was a domestic servant in a doctor’s home in Newburyport in 1925. Natalie unravels Bridget’s story with the help of an archivist named Kathleen Lynch, who is herself dealing with a loss in her life. The title I started with, Solace, will likely change, but one of the main themes of the book is that solace can come from unexpected sources. It’s a darker tale than The Arrivals—touching on social issues like cyberbullying, among other things—but I am, as ever, trying for that balance between humor and pathos.

What are your reading now?

I am reading Started Early, Took My Dog, by one of my very favorite writers, Kate Atkinson. Now there’s a writer who can take dark, dark subject matter and find the humor in it! Waiting for me when I finish that are two of the much-anticipated debuts that just came out: The Bird Sisters by Rebecca Rasmussen and The Kitchen Daughter by Jael McHenry.

Author Q&A: Jennifer McMahon

18 May

Q- Don’t Breathe A Word is your 5th novel.  Can you tell us a bit about your writing process?  Has it been the same for all your novels?

A- It’s actually been totally different for each book.   My early books, Promise and Island, were done without an outline or really much of a concept of where the story was going.  I began with characters I loved, gave them a compelling problem, and just started writing to find out what happened next.  These books needed A LOT of rewrites and revision, and honestly, I did end up outlining both of them once I had a draft just to help me figure out what on earth was going on!  In both of these books, I didn’t have any idea who the bad guy was until I got to the end.  In fact, the villain in Promise changed from draft to draft!   The initial version of Island was incredibly long and included events that happen years after Ernie Florucci’s disappearance — revising was painful because I had to throw out nearly half of my work.  Dismantled was the first book I wrote directly from an elaborate outline, which was good in some ways, but  I felt very confined.  Once I gave myself permission to deviate from the outline, things went much better.  I think that for me, for the writing to be good, I have to be excited and wondering what happens next.   Don’t Breathe a Word was kind of a combo method — I used a very short, one page outline, so that at least I knew what I wanted to make happen, what the destination was, but then let the story take me where it wanted to go.

One thing that I consistently do with my books is that once I’ve got a draft, I print it and lay it out chapter by chapter, all over the floor, covered with sticky-notes and highlighting.    Then I can walk around, rearranging, pulling sections out, and noting where to add things in.   It turns it into this down to earth sort of visceral process that really helps me see the structure of the book clearly.

Q- Where do you find the inspirations for your stories? In particular, what inspired you about Don’t Breathe A Word?

A- The initial idea for Don’t Breathe a Word came from a dream I had.  In the dream, I met a little boy who told me that his sister had been taken by fairies.  He led me deep into the woods and showed me the hole she’d disappeared into.  I woke up and was pretty freaked out.  I just kept thinking about how horrible it would be to have someone you love taken away like that.  But fairies?  Come on!  Fairies were sweet little creatures with wings, right?  Then I started to do some research and read about the dark side of fairies: magical, shape-shifting creatures who stole children away and left changelings in their places.  I was hooked.  I knew my book would be about a group of children who see fairies in the woods behind their house.  Then, the girl who believes most disappears.  Of course, as I worked on the book, inspiration came from all kinds of places — childhood memories, fairy tales, news stories, taking my cat to the vet, and so on.  Most of my stories come from similar places — something small happens, like a dream, or I see a woman leave her kid alone in the car at a gas station, and then ideas and themes and characters seem to come out of the woodwork, piling on.

Q- You write very creepy stories, do you ever creep yourself out while you are writing?

A- Yes!  But that’s when I know I’m onto something good.  You know that saying, “Write what you know”?  My personal motto might be “Write what scares you.”  I let my writing take me to some pretty dark places.  Honestly, I’m not analytical enough to know what that says about me as a person!

Q- What is your next project?  Can we expect a sixth novel soon?

A- I just finished up a draft of a new book and if all goes well, it should be out sometime next year.  It’s a little more of a straight-up crime novel, about a girl whose mother was thought to be the final victim of an infamous serial killer in the 80s, and what happens when years later, the mother turns up in a homeless shelter.

Q- What are you reading now?

A- I just started The Little Stranger by Sarah Waters.  She’s a favorite of mine, and I’m loving it so far.

B3 Week In Review

5 Mar

Monday: Our blogging week started off with international book news, assembled in BIR. We also were lucky to get a interview with agent turned author Leslie Daniels about her book, Cleaning Nabokov’s House, what she is reading and which author she’d like to rep.

Tuesday: After the Monday interview with Leslie Daniels, we reviewed her inaugural work Cleaning Nabokov’s House.

Wednesday: Jill flies solo this week with some book previews and we gather news for a Bookish Intelligence Report.

Thursday: With many writers trodding the fields of vampire fiction, author Stefan Petrucha sets himself apart with an energetic vampire tale set in the times of Puritan America and the wars of Napoleon in Egypt.

Friday: Ending the week, the B3 news hounds put together a over-sized Bookish Intelligence Report.

Author Q & A: Leslie Daniels

28 Feb

Leslie Daniels- www.lesliedaniels.com – first novel is released tomorrow and we’ll have a book review for you.  Before you read all about the book, first read Daniels interview.

1. Cleaning Nabokov’s House is obviously inspired by Nabokov’s work and that you actually do live in his former home. What other authors do you find inspirational?

Like a lot of readers, I am dazzled by originality, the feeling of WOW; I have never seen this before! Among contemporary writers there are some whose work has offered a lot of freedom to me as a writer. Lorrie Moore, Mary Robison, Mary Gaitskill, Julie Hecht, were all revelatory experiences when I first read them. They each use intimacy in a bold and provocative way that fascinated me. For wild ideas and humor, I like Chuck Palahniuk, Pete Dexter. For blending humor and character, Nora Ephron is amazing. I am always interested in what goes on between human beings. James Salter does it really well. So does Jennifer Cruisie at her finest. And there are people I simply bow before, like Cynthia Ozick.

2. This is your first novel, but you have plenty of experience in the literary world as an agent, editor and writer of published essays and short stories. How is the experience of first time novelist different?

I have more control! If you’ve ever had a dinner party and you’ve made your favorite foods and invited your favorite people, put your favorite music on, and the doorbell starts to ring…that feels like this moment before the book is in readers hands. I am excited, and I have done what I can for their enjoyment.

I also know more than most first time authors about the collaborative work that goes on to make a book successful. Having been in on the launching of many fine books, I know how very hard people in publishing work. I am grateful for the group of people that are working on my book. They bring remarkable and diverse skills, and a great deal of heart. They have treated the book from the beginning as something exciting and special and fine, and I couldn’t be happier about that.

3. The early buzz for Cleaning Nabokov’s House has been excellent, indicating the humor and depth of your writing. In 250 words or less, how would you describe the novel?

We have all been at the end of our rope, and the central character Barb Barrett is there when the book opens: she’s lost custody of her beloved children, left her home and work behind for a town where she feels alien. At those moments you are thrown on your most elemental resources. Barb crafts a new life for herself, using everything she’s got.
4. Who, past or present, would you like to represent as a literary agent? What about Nabokov?

I can just see myself trying to pitch Lolita. “Yes, I know there is inappropriate sexual feeling, er, lust for children in the book, but it has great literary merit!” And hearing the phone lines go dead.

Patti Smith’s book Just Friends is wonderful. It would have been exciting to work with her on conceiving and shaping that project. I love the idea of a memoir that is a portrait of a relationship; it is such a generous take on life. And she writes with great precision and simplicity.

As for classics, I would have liked to represent Gone With the Wind. With the commissions from that I could feed every hungry kid in the state. Or set up a world class literacy program, endow the libraries!

5. What is your next project? Can we expect a second novel soon?

I’d love to say that in 4 months I will have a new draft with a great “hook,” but the truth is I start writing without a big idea, just small fascinations and build a story from that.  I am antsy to be deep into a big project again.

6. What are you reading now?

The stack beside my bed is a big slide-y pile of great work:

Mark Childress’ Georgia Bottoms is hilarious. The central character is so funny and so naughty-bad, you just have to love her.

Afterlife by Rhian Ellis (I am rereading this because it is so excellent) Again the central character is someone who is certainly not good in the strict moral sense,  and she’s fascinating.

Collum McCann’s Let the Great World Spin is the next book I want to sit down with. I want to sit down with it in a house by the sea that has no telephone or internet. This may not happen.

My friend Ellen Hartman’s newest romance novel is there too: I’ve already read it, but I like having it nearby because it has very sweet and real relationship stuff in it. I admire that. I read it and think about all the things I don’t understand about love.

When Nightmares Nurture Dreams

8 May

Tales of Moonlit Daydreams by Rebecca Carter is a collection small horror stories, personally told with literary goals other than fame or fortune.

They are tales of zombie Raptors, sadists and IT vampires. Horror, pure and simple. While some of the Boston Book Bums aren’t traditionally horror folks, we figured Moonlit Daydreams was worth a shot, for some different, non-literary reasons.

Self-published author Carter embraces horror lit’s pulp DNA with Tales of Moonlit Daydreams. These are uncomplicated stories of bedtime spook-fests or tales whispered on the front porch as fireflies dance about the night sky.

These stories, full of blood and gut spilling bile, could easily get lost in the online shuffle. However, they warrant a note because they have an added purpose. According to Carter they were crafted, in part, as a way to help support her beloved community.

Carter hails from Kannapolis, NC,  home to notables of NASCAR and birthplace of the George Clinton of Parliament Funkadelic fame; where mills once ruled supreme and their Class A baseball team, the Intimidators, is named for the late Dale Earnhardt’s racing moniker.

She notes on her website how times are tough in her beloved burg nestled in the southwest of the Tar Heel state.

Kannapolis, writes Carter on her website, “struggled for years over the loss of our mills and while progress is coming, it is coming slow.”

Without hesitation, she simply states, “If I can sell 25,000 books by the end of August 2010 (It takes a while for my physical counts from amazon to come in) I will use some of the proceeds to open a store here. The store will carry mainly handcrafted or indie products and will not carry items that are carried through major retail outlets. I hope to get the majority of these products from locals.”

Her ambition seems genuine and admirably lofty. Who knows if its realistic or not, we are not to judge or guess.

But, what we do know is that sometimes nightmares can, and should, nurture dreams.

A digital copy of Tales of Moonlit Daydreams was received by the Boston Book Bums for free.

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